Os Barcos (The Boats)




Co2 and other toxins (2016)
Choreographic and Installative Project, 50 min, Germany.
A project by Bianca Mendonca, Katharina Geyer and Thaís de Almeida Prado
"Co2 and other toxins” is a project inspired by the photographic documentation of Mariana’s landscape after the dam collapse that happened in November 2015. Flora and fauna from Rio Doce in Minas Gerais, south-east of Brazil, were and still is killed by chemically contaminated clay. Those catastrophic images have brought the feeling of death by asphyxia, and this was the starting point for our choreographic and images creation.
A project by Bianca Mendonça, Katharina Geyer and Thaís de Almeida Prado.
Directed by Bianca Mendonça and
Thaís de Almeida Prado
Choreography and Performance by Bianca Mendonca, Thaís de Almeida Prado and Katharina Geyer
Audiovisual Conception: Thaís de Almeida Prado (technics: overheadprojection)
Premiere: December 15th 2016 - tanz.tausch Festival
Supported by Tanztausch Festival, Tanzfaktur Cologne and ZAIK.
Eu em mim só (2006)
Directed by Thaís de Almeida Prado
Choreographed by Karina Ka and Thaís de Almeida Prado
Performed by Karina Ka
Synopses
But the instant, the instant here - the present - this is not imaginable, between the present and I there is no interval: is now in me.
Developed during the Artistic Residence Program of Casa Hoffman, Curitiba, Brazil
80 per Minute (2003)
80 per Minute was a continuity of the research “word and movement” under the gaze of Natacha Dias and Thais Almeida Prado with the Cia Auto-Reatrato, using the book “Água Viva” by Clarice Lispector as inspiration.
Directed by Thaís de Almeida Prado
Choreography: Natacha Dias and Thaís de Almeida Prado
Performed by Natacha Dias
Synopses
Very behind the Thought there is a musical background. But even farther behind there is a beating heart. Thus the deepest thought is a beating heart.
Prize: X Nascente Prize of Best Choreography
co2 and other toxins
eu em mim só
80 per minute
my business copyright 2000 no animals were harmed in the making