top of page

Co2 and other toxins (2016)

Choreographic and Installative Project, 50 min, Germany.

A project by Bianca Mendonca, Katharina Geyer and Thaís de Almeida Prado

"Co2 and other toxins” is a project inspired by the photographic documentation of Mariana’s landscape after the dam collapse that happened in November 2015. Flora and fauna from Rio Doce in Minas Gerais, south-east of Brazil, were and still is killed by chemically contaminated clay. Those catastrophic images have brought the feeling of death by asphyxia, and this was the starting point for our choreographic and images creation.

A project by Bianca Mendonça, Katharina Geyer and Thaís de Almeida Prado.

Directed by Bianca Mendonça and

Thaís de Almeida Prado

Choreography and Performance by Bianca Mendonca, Thaís de Almeida Prado and Katharina Geyer

Audiovisual Conception: Thaís de Almeida Prado (technics: overheadprojection)

Premiere: December 15th 2016 - tanz.tausch Festival

Supported by Tanztausch Festival, Tanzfaktur Cologne and ZAIK.

Eu em mim só (2006)

Directed by Thaís de Almeida Prado

Choreographed by Karina Ka and Thaís de Almeida Prado

Performed by Karina Ka

Synopses

But the instant, the instant here - the present - this is not imaginable, between the present and I there is no interval: is now in me.

Developed during the Artistic Residence Program of Casa Hoffman, Curitiba, Brazil

80 per Minute (2003)

80 per Minute was a continuity of the research “word and movement” under the gaze of Natacha Dias and Thais Almeida Prado with the Cia Auto-Reatrato, using the book “Água Viva” by Clarice Lispector as inspiration.

Directed by Thaís de Almeida Prado

Choreography: Natacha Dias and Thaís de Almeida Prado

Performed by Natacha Dias

Synopses

Very behind the Thought there is a musical background. But even farther behind there is a beating heart. Thus the deepest thought is a beating heart.

Prize: X Nascente Prize of Best Choreography

co2 and other toxins

eu em mim só

80 per minute

my business copyright 2000 no animals were harmed in the making

bottom of page